Year: 2016
Mediums: Wall, Acrylic Paints
Location: Bang Mod, Bangkok, Thailand
Dimension: Width 51m Height 2.40m
Year: 2017
Medium: Wall, Papers
Location: Naresuan University, Thailand
Dimension:
Year: 2014
Year: 2013
Mediums: Concret wall, Acrylic Colors
Location: Sunshine Bus Intechange Station, Vic, Australia
Dimension: Width 60m x Height 2.55m
Together O’Dwyer & Zood create large scale public murals, affecting each space with a sense of play. They work to integrate site specific themes and community undertones within each piece. Within their bold pixelated colour pallette, each of their murals contain hidden images and local dialogue. Each mural design is layered with an instant brightness, coupled with narratives that reveal themselves as audiences become familiar with the work.
Year: 2013
Mediums: Concret wall, Acrylic Colors, Acrylic Sheets
Location: Lifestyle Working Space Collins Street Building, Dockland, Melbourne,Victoria, Australia
Dimension: Height: 4.6m, Width: 36m, Depth: 12m
Walking around Docklands it is easy to see the most influential element on the landscape is its architecture. These buildings frame the skyline offering glimpses of cloud, sky and sun, whilst the harbour allows an unhindered view of this natural beauty. Zood and O'Dwyer reference the Victoria Harbour skyline as inspiration, adding Melbourne motifs as hidden images within their bright sky mural.
Year: 2016
Year: 2016
Year: 2012
Year: 2013
Year: 2011
When looking at a wrinkled paper, so many things appear inmy imagination. Fold of the paper creates lines tracing shapes ofvarious images, which always change unpredictably when wesee them. Today it might be an iceberg while yesterday was acrack in a wall. Sometime might be a robot from the transformers whereas tomorrow might be just a wrinkled paper unmeaning.
Year: 2011
Mediums: Projector, Building
Location: Dandenong, Australia
I participated with a project called Nocturnal Art Projection at Dandenong, Australia. My image chosen by comittees from counsil of Greater Dandenong and artist Ian De Gruchy for projection onto the building. The project was exhibited between 2nd to 30th of June 2011.
Year: 2012
Postcard magazine based in Thailand contacted me for interviewing about my public art experience in Melbourne. Then allowed me installing art project in a studio for an art column in the magazine. Postcard Magazine is a monthly magazine for stylish budget traveler. It locates in 518/5 Floor 7th Maneeya Center Building, Plernjit Road, Lumpini, Pathumwan, Bangkok 10330, Thailand. The site is a photograph studio of the magazine. It is approximately 4 maters width and 6 maters length. The studio’s wall is plywood built and painted by white acrylic color.
Year: 2012
I love simplifying and reducing details of imagery as minimal as possible. I try to play with imagination of audiences, and provide new visual experience to viewers with pixelated imagery like mosaic technique that involving with environment and communities. It is for inspiration the viewers to recognize that even ordinary material like an A4 paper, which he or she might keep them as a tool or material, can be created as artwork.
Year: 2012
This project based on experimentation, and installed on a clear glass window at a product and graphic design firm based in Thailand called Fif Design House. The company address is 200/1 Phibul Wattana 1/1,Rama 6 Rd., Samsaen nai, Phayathai, Bangkok 10400, Thailand. The site is a big clear glass window. In side the building is a meeting space that designers use for discussion and brainstorming their idea while outside is smoking area.
Year: 2012
This is an experimental project based in Carnegie, Australia. I created an urgently public art project in my backyard’s house for my housemate’s birtday party. I formed triangle shapes like gables on the wall by pasting up A4 sticker paper. The work revived ordinary backyard more colorful, and provides new atmosphere to the site.