Abstract:
Objectives:This article describes the connection of Thai typeface in the context of evolution and letter formationin order to classify the Thai typeface.
Methods: The Thai typeface from documents and historical evidencewas studied. The typeface from the letter formation techniques in each erawas categorized. Then the connection of each typeface categorywas analyzedand synthesized.
Results: It was found thatletter structure in the late Ayutthaya period waslike that of the current Thai script. Itwas then developed into a variety of Thai typeface. The characteristics of the Thai typeface can be divided according to the evolution and letter formation into seventypologies: 1) ancient-like Thai 2) Arluck 3) handwriting 4) Thai Ribbon 5) standard Thai 6) Latin-like Thai,and 7) Decoration.
Application of this study: This article is useful for those interested in typeface design, design history,and local wisdom. It can be further developed in creative works, branding, marketing communications and database management
Abstract: This research is for studying the form and developing Thai-Naris handwriting scripts. Then, to design and evaluate the typefaces. It starts with studying the information and reviewing the relevant literature. Secondly, defining the scope of works. Thirdly, developing the handwriting scripts before creating typefaces. Finally, evaluating the typeface with the assessment criteria covers three aspects of the typeface design principle such as appearance, efficiency and implication. The result is a Thai-Naris handwriting typeface named ZoodSamai representing many personalities and suitable for a variety of works. According to the evaluation, it was found that the appearance of the typeface was the most appropriate. The efficiency of the typeface was appropriate. In terms of implication, it is suitable for works with intensity, serene, sophistication and excitement personalities.
Abstract:This research is for studying the form and developing Thai-Naris handwriting scripts. Then, to design and evaluate the typefaces. It starts with studying the information and reviewing the relevant literature. Secondly, defining the scope of works. Thirdly, developing the handwriting scripts before creating typefaces. Finally, evaluating the typeface with the assessment criteria covers three aspects of the typeface design principle such as appearance, efficiency and implication. The result is a Thai-Naris handwriting typeface named ZoodSamai representing many personalities and suitable for a variety of works. According to the evaluation, it was found that the appearance of the typeface was the most appropriate. The efficiency of the typeface was appropriate. In terms of implication, it is suitable for works with intensity, serene, sophistication and excitement personalities.
Abstract: The objective of this creative research is to study the identity of the Buddhabhucha community, Phitsanulok, and to use that information to create pixel art presenting the identity of the community. Research methods began with surveying the Area for collecting data. From then, use the findings as a guideline for creating works. Beginning with conceptualisation, Job scoping, Creating a prototype image, Creating a presentation image, and then taking the resulting work Assessed by locals and experts and distributed via digital media. The Results of this Research are Seven Views of Pixel Art Images such as Top, Top- Down, 45° Dimetric, Side Scroller, Isometric, Oblique and, True Perspective. All of them represents the three distinctive identity of Buddhabhudha Community, Phitsanulok such as Area Identity, Life-Style Identity, and History Identity.
Abstract: Pixel art is the art of arranging dots (pixels) along the grid to create images with limited colours. The origin of Pixel art comes from creating low resolution images with computer software. Then became a computer graphics visualization technique to support the limitation of processor and memory in computers and video games with cartridge-based data recording. Technological limitations of video game players are important factors in determining the number of colours used in Pixel art, which makes the Pixel art became a memorable and applied on many types of media today. This article gathers background information, limitations, analysing the unique characteristics, process and types of Pixel art. Including the introduction of Pixel art in Creative works to be useful to those interested in using it as a guideline for creating works of art and design.